Guest Post: How to be alone

I have been a newshound for a long time, but ever since the start of the Covid-19 outbreak, my consumption of the stuff has reached absurd levels. I spend hours checking headlines and Twitter, desperate for some fresh morsel of information: an update of confirmed case numbers (local, national, global), an official who said something bracing or stupid, anything. The worse the news, the better. It feels more real somehow. “You can’t go on like this,” my wife told me during one recent bout. “It isn’t good for you. You can’t possibly read everything.”

Try me. My family lives in Seattle, where the outbreak in the U.S began. From our house we can see Kirkland, the suburb where the first coronavirus cluster bloomed out of a senior care center. Since late January we have watched as the virus spread in horrifying slow motion, the numbers ticking up, then leaping, and now who knows where or when they will stop.

A few weeks ago, when an epidemiologist tweeted that the virus had likely been creeping about the region undetected for weeks, I felt a strange giddiness that I took at the time to be relief. Covid-19 was among us and life as we knew it had not ended, right? But then it started to. All the schools closed, first for two weeks, then six weeks, and now for the school year; the libraries were next, which hit my wife especially hard, since she considers them the spine of a functioning society; then most of the stores, the playgrounds, the parks. Now we are locked down, allowed out only for essential business.

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Making a Renaissance

This post is not implying a resemblance between the current pandemic and the perfect storm of disasters that hit Florence in the mid-1300s. Nor is it evidence for the half-assed notion that out of disaster comes good. It is only to say that sometimes beauty has deep roots. This first ran January 17, 2012.

To the left is a courtyard in the Church of the Ognissanti, All Saints, in Florence, Italy. You can’t see it in this picture, but above the little staircase, near the top of the doorway, about where the arch meets the wall, is a small sign. It’s something like the one below: In 4 November, 1966, the waters of the Arno came to this height.

Florence is full of these signs. Most of them are from 1966, which was the most recent and worst of centuries of regular floods. They happen every 15 years or so, 56 of them since the first historic bad one in 1177. The Arno floods because the local weather swings wildly between dry and rainy and when it rains, it doesn’t stop. I was there in 2010, when it rained for 10 days straight, and while the Arno didn’t flood, for days it was ugly: it was a thick brown and fast, full of waves and whorls, making a continuous low roar. Florence is in the Arno’s floodplain, so when it does flood, it takes out the bridges, people lose their homes and businesses, ancient art and books are destroyed, people die. The flood in 1333 wasn’t the worst, but its timing was bad and for the next 15 years, Florence was visited by one disaster after another.  And after disaster came the Renaissance.

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The Year Time Stood Still

I have somehow become involved in wholesale Personal Protective Equipment (PPE) procurement. That is not my job, and I know nothing about it, but the old rules no longer apply in this sudden new world. All it takes now, apparently, is to know some people with particular connections in China and all of a sudden you have state governments and federal agencies clamouring at your cellphone, lighting up your home screen with the photo of your cat on it. I sense the urgency of the world squeezing through a bottleneck of production capacity and I am glad to be merely a switchboard operator in that game, forwarding emails from my people to theirs, hoping I am helping.

Meanwhile time has, in other ways, stopped. Mortgages are frozen where I am, rent in some places is suspended. School has stopped, no matter what the three homeschoolers on my Facebook feed pretend. Many people’s incomes have stopped. That is not sustainable, but this will, nevertheless, go on. For the academic year or for the calendar year? I don’t recall anything ever being quite so up in the air.

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Notice: due to distraction, the People of LWON are posting only Mondays, Wednesday, and Fridays. We’ll be back in strength in the foreseeable, we hope, and meanwhile wash your hands and socially distance because we love you.

A Note to Our Readers

Dear Readers of LWON,

Like everyone else, the People of LWON are still adjusting to life with Covid-19, especially those with kids at home, parents at large, and full time jobs, remote and not. We’ll be posting less frequently for a while, but please keep coming to visit every Monday, Wednesday and Friday.

We’ll keep serving up as much comfort and diversion as we can muster, and return in force once things settle down. 

Wash your hands, we love you.

The People of LWON

Watching and Waiting

Green leaves growing on a chain link fence

From my apartment most of the view is a small parking lot, a few stories below me, lined by vines and a few weedy trees.

The last few weeks, a mockingbird has been loudly claiming this as his territory. On and on and on, a few phrases of a song he’s learned, then to the next song, then to the next one and the next. The dead stems of winter are turning green, hiding the chain link fences.

I’ve spent more time than usual admiring this little parking lot this month. The space between my desk, on the inside wall of my apartment, and the compost bins, at the far corner of the parking lot, are most of my world right now.

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Holding space

I have begun to visit the trail behind my house with religious devotion. It switchbacks up a sundrunk slope, mostly melted out from the snow, and tops out at a cliff overlooking the valley where I live. I go because it’s spring, and the smell of thawing soil and sweetening ponderosa bark calls me outside. I go because, for a short time at least, I can feel the fingers of sun kneading my neck and shoulder muscles, releasing knots of worry for my family, my friends, my community, as the novel coronavirus licks through our people like wildfire. The first flowers are out. White flickers of spring beauty scatter the ground, and yellow pinches of something I can’t name. The first green grass threads between orange fallen needles. Snowflakes bluster from a few clouds in the otherwise blue sky. Things are beautiful; things are terrible. Cognitive dissonance has become my forever feeling.

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