I Know Astrology Is Bullshit, But I Can’t Stop Reading My Horoscope

I used to snicker at people who religiously read their daily horoscopes. Astrology is not science. Not even close. “No one has shown that astrology can be used to predict the future or describe what people are like based on their birth dates,” some exasperated person at NASA wrote in a Tumblr post debunking a rumor that NASA had changed the zodiac signs.

I share that NASA communicator’s irritation. (If NASA hasn’t convinced you, the University of California Museum of Paleontology has created a handy checklist to help you determine whether astrology is scientific. Spoiler: it’s not.) Yet I’ve also come to understand why people got hooked. One day last year while wrestling with my book writing, I accidentally read the horoscopes in my local paper and realized that they were actually just snippets of useful writing advice dressed up as astrological wisdom.

And that’s how I began reading Holiday Mathis’s syndicated horoscopes with an eye toward finding answers to my creative conundrums. Here are a few of the insights that I found.

Crucial advice when you’re struggling to begin a creative project — if you wait until you have it all figured out, you’ll never start.

This one reads like a card from Brian Eno and Peter Schmidt’s Oblique Strategies. You’re stuck… try this.

Here’s a siren to heed the call of that passion project I’ve been putting off.

Totally solid advice for a woman (or anyone else) writing on the internet these days.

This one reads like a description of some of my most productive reporting trips.

Do you see what I’m doing? I’m taking advice and insights from Holiday Mathis and projecting them onto my own life. This is what makes astrology so enticing.

Look, I know that astrology is nonsense and there’s nothing particular to me here. But I gotta admire Holiday’s talent. I’m an avid collector of creative prompts like Lynda Barry’s incredible books, Austin Kleon’s blog, Susan G. Wooldridge’s Poemcrazy and Ann Lamott’s classic, Bird by Bird. But what makes the personalized daily messages from Miz Mathis so alluring is that she writes them as though she’s speaking directly to me.   

I wanted to know who this creative fortune teller was, so I sent her an email and asked if I could call. She passed on the phone call, but sent me a 2,000 word response to my questions. She started writing horoscopes in 1991 after answering an ad on a college bulletin board. “I don’t even know what made me think I could write horoscopes except that I had read a trillion of them in Cosmo and Seventeen mags,” she says. Next thing she knew, she was working “through the mail, sending in floppy disks and getting a checks in return from a ‘Linda Twitchel.’” She didn’t ask questions.

Eventually she met Joyce Jillson (“Linda Twitchel” was a pseudonym) — an actress, socialite, best-selling author and syndicated astrologer. Jillson had discovered that “writing horoscopes en masse is no easy gig” so she hired Mathis and several other writers to help. Eventually it was just Mathis writing all the horoscopes, and when Jillson died in 2004, she took over the column.

“The column averages 7,500 words a week. It’s about 900 words for each day of the week,” Mathis says, “and then another 1,200 for the week ahead.” She estimates that she’s written about “5,070,000 words published as Holiday Mathis and at least 3,000,000 ghost written for Joyce Jillson.” It adds up to a little more than 8 million words. No wonder she’s amassed so much writing advice.

She’s also pretty good at existential angst. “I have published over 8 million words, and what do I have to show for it? No best seller or movie version of the work. No Wikipedia page. I make a modest living and I have never gone on an extended vacation,” she says. She has a weekly deadline, and she’s come to see her work as “a spiritual practice. I am like those monks who create sand mandalas to be briefly enjoyed by the passersby and tossed to the river at the end of the day.”

“The fact that nobody is going to care about it tomorrow, or even an hour from now, that’s liberating,” she says. I asked if there was a formula, and she says no. “It’s more of an intention. I want to create a tiny poem for each sign.”

She doesn’t know how she filters all her random sources of inspiration into the words of a horoscope, but says, “the muses favor me. I believe the muses favor me for the same reason that Joyce Jillson did: I’m desperate. I’m game. I show up.” She notes that “turning in this column is how I buy food, and I like to eat. That helps. I don’t ever have writer’s block – I don’t even believe in it – because I can’t afford to.”

What I most wanted to ask her was whether she really believes in astrology. “The astrology is a given. I read the ephemeris and offer an interpretation,” she says. “The symbols are playful invitations to do my best… they are chiefs in my pantheon of muses.” She views them as characters — “Big Daddy Jupiter and the Venus the strumpet, or maybe she’s in her maternal mode, wearing a gown by Virgo or a pantsuit by Capricorn.”

She went on:

I’m sure a versed science writer such as yourself is well-aware that humans are notoriously uncomfortable with randomness. Our brains have evolved to filter out most of it, so all that gets through are the threats, the changes, and a small amount of “other” which we are compelled to make order out of… look for a pattern, come up with a theory, construct a narrative, dig into a belief about…

I am just like everyone else, bringing all I know into looking for the pattern. The pattern I’m looking for in the context of the horoscope column is one that will help people settle in to a positive feeling about the day. One that will make people feel seen and understood. Make them feel like they belong in this cluster of humanity under one sky.

I read this answer to mean that Mathis doesn’t truly believe in astrology, but when I showed her reply to a friend, she had the opposite reaction — “oh yeah, she totally believes in it.”

Which gets me to my ultimate conclusion about Holiday Mathis and about horoscopes more broadly — they aim to give us what we’re seeking. Some days my sign’s horoscope isn’t speaking to me, and so I read through the list to find one that does. I don’t actually care which sign I take from. I know that this is just generic advice that can mean whatever I want it to. I think of these daily horoscopes much like Holiday does — as “A candy snack to set the day on a sweet note. A personal nudge toward levity or introspection or fun or kindness or wisdom.”


This post first ran on May 11, 2018, but I have since interviewed Holiday Mathis and discovered that she is even more delightful than I could have ever imagined. You can listen to my interview with her on this episode of Emerging Form, my podcast about creativity. Episode link: https://emergingform.substack.com/p/episode-28-the-daily-grind-with-holiday

hot and cold

Jess on polar bear watch.

I was already half awake when I heard Audrey’s voice at the door of the tent. “Hi ladies,” she said quietly, trying not to wake the others sleeping nearby. “It’s your turn.” My tentmate Jess stirred; it seemed like she had managed to actually get some rest, but I just couldn’t stay asleep with a balaclava over my face. We wordlessly pulled on the thick down pants, jacket, and boots we’d been issued a couple days earlier by our trip organizers, and stumbled out of the relative warmth of our tent.

Outside, the sun continued its endless loop around the sky, painting the mountains blush and bruise purple. It was early April in Svalbard, an archipelago about halfway between Norway and the North Pole, and we’d just crossed the line into nightless days. Audrey, a physiologist, had come to study an expedition of women skiing to the North Pole; Jess was a physician helping her collect data, and I was writing about it for WIRED. While the expeditioners made their way north, Audrey suggested we go on our own (albeit much less rugged) adventure. She booked a trip through a French tour company, who handled all the logistics for five days of snowshoeing and dog sledding. This was only day 2 of the trip, but about a third of the group had already bailed back to hotels in Longyearbyen. They were wealthy French women who were visibly panicked when the snowcat that brought us to the wilderness began to pull away, and complained loudly about the tents’ lack of heat, lights, and running water. They forced our guide to call them another snowcat, which cost them at least a thousand dollars. Initially, I’d scoffed at their pricey decision: why book a trip to the Arctic if you weren’t prepared to be cold?

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No Privacy for the Dead

The other day I was going through someone’s collapsed house on the tip of a mesa in western Colorado. It looked like a small homestead where no one had been in a handful of decades. The front wall with its peaked roof and door still latched shut lay flat where it had fallen. I poked through nails and peeled off wallpaper, lifted a toppled wood-frame with the tip of my boot. Handle of a ceramic mug. Pull tab from a can. Shirt button.

Whose life was this?

A small plastic coat hanger turned milky in the sun: kids or kid, a family, maybe a nice dress, or a Sunday shirt.

I’ve been doing this since I was little, playing archaeologist wherever people left their detritus. My grandpa and I used to drive around the plains of Chaves County, New Mexico, where he grew up, looking for barns and houses abandoned in one of the many lesser dust bowls to hit last century. We creaked in through doors half off their hinges and checked kitchen drawers and cupboards to see what had been left. I remember a corner of a photograph, a single wooden crutch.

I’ve never shaken the feeling I’m invading someone’s privacy. Even if they’ve been gone since long before I was born, it feels as if a shade of them is here, a memory lurking around. I learned to move slowly, quietly, a way of asking permission, or at least forgiveness. Continue reading →

See that bird?

a shoreline with trees
See the raptor?

This week, at a lake house in Michigan, I kept hearing a sound that made me think of a gull, but wasn’t. At least, I heard it when I didn’t see any gulls. I’d heard that the Merlin bird identification app can now identify birds by sound. So I held my phone up and it told me right away: merlin.

That’s right, the first bird I ever identified with the Merlin app was a merlin. It turns out that the picture I took above actually captured the bird making the sound. See that dead tree poking up above the treeline, in the center of the picture? See that bird on it? That’s the merlin–a small falcon. Now that I know it’s out there, I hear it multiple times a day. I played it for my friends who own the house and they recognized the sound right away, but had no idea that there were merlins here, or even what a merlin is.

There’s quite a world out there, if you have the right tools to discover it. Once upon a time, the tools for learning to recognize the call of a wee raptor were a lot of patience, a knowledgeable friend, maybe some LPs of bird songs. Now that computer in my pocket is going to teach me a lot of new bird songs, very fast.

Photo: me

Guest Post: In Praise of Phases

When I was sixteen, my voice teacher predicted I would become a Jack of all trades. It wasn’t a compliment: We were in the midst of a fight, squaring off across the shiny black battlefield of her baby grand piano. She wanted me to concentrate only on singing. But I couldn’t imagine abandoning subjects like math, from which I derived a kind of type-2 satisfaction, or quitting ski racing—the locus of my teenage social life.

That latitude—that lack of focus—would be my downfall, she warned. And her prophecy seemed to come true as I grew up and flitted from hobby to hobby, career to career.

In college, I fell in love with philosophy, then geology. After graduation, I moved to a mountain town where I spent winters in ski boots and summers sweating under a backpack or dangling from a climbing rope. In graduate school, I dedicated much of my free time to trail running and even completed an ultra-marathon. For a while, I became obsessed with trying to bake perfectly round baguettes with perfectly scored “ears.” I grew and canned food like the apocalypse was nigh. And for several years, I fronted a raucous country band.

On the outside, it looked like I had a long list of skills and accomplishments. But to me, this all felt like mounting evidence of my promiscuous mind and weak willpower. I was hardly exceptional at any of these pursuits, and I hopscotched between them like a distracted child. I wasn’t serious; I was just “going through a phase.”

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Our Herd

We first saw the elk in September. Our route to the Wilder forest passed the Yaquina Bay, and there, between the road and mudflats, was an antler rack we initially mistook for a willow tree. 

Our neighbor said it was likely that hunters chased them out of the hills. That they were a smart herd. 

We saw them again in October, this time eating pickleweed behind the Hatfield Marine Science Center. They lifted their heads and eyed us briefly. A couple nights later, on the same path, we nearly walked into the bull before he raised his head. For no tactical reason other than that it felt vaguely respectful, we pulled our headlamps off and waved them on the ground as we backed away.

Shortly after, Hatfield security hazed them off the grounds, and the herd reemerged in the field outside our place.

***

The herd quickly became a sort of glue for the neighborhood, binding us in our disparate connections to them. One boy watched the elk through his window with a handheld spotting scope for hours at a time. My own connection deepened a couple weeks after they’d arrived. Grabbing a sip of water at 1 am, I looked out the window at what I thought was Scots broom shifting in the wind. Then the bull turned and I saw his side glow in the lamplight before he moved off into the field. 

That night the bull crossed from a spectacle to a presence, and I began to watch and listen to the herd more intently. On the mornings between storms I sat on the edge of the field, a hundred square yards of sandy soil that abuts mossy dunes of shore pine. A soundscape would materialize—the munching, mewing, clacking of antler on antler. Grunts and huffs, the squeak of a car slowing to look. It was not just me who needed their company. Others wanted to get in touch, to view natural beauty at a time when “nature,” in the form of a deadly virus, was showing us our fragility.

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Guest post: Becoming People on the Playground: Observations of Young Humans in their Native Habitats

The author’s son (yellow shirt) leaving the playground with a friend, previously a blue guy.

ABSTRACT

What is it about watching kids be kids that is so fascinating? That makes us snap too many photos and text other adults or Tweet at the world in the middle of the day about some random or mundane thing they just did? It might have something to do with the infinite enigma of whatever is happening in their “weird little minds”1. Forget the Sunday crossword.

Put in the words of another dear friend, “All of a sudden they’re just like… doing their own thing, being their own person. You get to see who they are. It’s cool to watch them become.”2

There’s that, too.

METHODS

Sit on a bench halfway out of sight from the child for whom you are responsible*, ideally with a book or another manipulative, to give at least the semblance of preoccupation. You don’t want to be inadvertently influencing behaviors, including giving off signals that you sit at a child’s beck and call. You might not want to engage in small talk with other adults, either. You might, in fact, truly be trying to read the book. Good luck with that.

Observe the children.

*The author does not recommend watching children at a playground without having one or more of them affiliated with you in some manner.

DATA

Instances that struck the author as profound for some reason:

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Guest Post: The Whimbrel

They were dark forms scattered up and down the beach. One here, three there, a pair just beyond them. Their larger size distinguished them from the other shorebirds, drawing our attention.

“What are they?” my dad asked.

“Whimbrels,” I said.

We were at Fort Stevens, a few miles outside of Astoria, Oregon, my hometown. My two younger sisters walked ahead of us, bundled against the cold of the mid-May evening. The wind was strong and unrelenting, and a heavy mantle of cloud compressed the sky against the rolling breakers of the Pacific. We were the only people on the beach so far as I could tell.

My mother had died two days ago, taken by a sudden and unexpected illness. I had last seen her a couple of days before that, on Mother’s Day. When I told her I would see her next week—now, as it turned out—she smiled wanly. In retrospect I wondered if I should have taken that as a sign. She had been old, but not that old, or so I thought; in the same way I am old, but not that old, at least when it comes to losing a parent.

“What makes a whimbrel a whimbrel?” my dad asked.

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