The other day I was going through someone’s collapsed house on the tip of a mesa in western Colorado. It looked like a small homestead where no one had been in a handful of decades. The front wall with its peaked roof and door still latched shut lay flat where it had fallen. I poked through nails and peeled off wallpaper, lifted a toppled wood-frame with the tip of my boot. Handle of a ceramic mug. Pull tab from a can. Shirt button.
Whose life was this?
A small plastic coat hanger turned milky in the sun: kids or kid, a family, maybe a nice dress, or a Sunday shirt.
I’ve been doing this since I was little, playing archaeologist wherever people left their detritus. My grandpa and I used to drive around the plains of Chaves County, New Mexico, where he grew up, looking for barns and houses abandoned in one of the many lesser dust bowls to hit last century. We creaked in through doors half off their hinges and checked kitchen drawers and cupboards to see what had been left. I remember a corner of a photograph, a single wooden crutch.
I’ve never shaken the feeling I’m invading someone’s privacy. Even if they’ve been gone since long before I was born, it feels as if a shade of them is here, a memory lurking around. I learned to move slowly, quietly, a way of asking permission, or at least forgiveness. Continue reading






