I was having an email exchange with a longtime friend a few months ago, and we got to talking about our long-ago youth—specifically, the workplace where we met, when we were both in our teens. As is often the case in these late-evening conversations, the discussion turned to the subject of who else among us has survived from that ancient era: 1974 to 1978. No, that’s not quite right: The discussion turned to who hasn’t survived: a roll call we occasionally catalogue and, now and again, update. In this case, the subject in question was that guy a couple of years older than us who worked in a different department but in the back of the same office. The dude with the cool, round-shouldered affect. Heavy drinker. Heavy shrugger. You know.
We didn’t know. And then, the next day, we did, our emails arriving in each other’s inboxes nearly simultaneously. I remember now! His name was Jimmy C—.
My one salient memory of Jimmy is the evening four of us from that office attended the world premiere of One Flew Over the Cuckoo’s Nest at the 1975 Chicago International Film Festival. Why Jimmy was part of our entourage, I have no idea. Possibly he just perked up when I announced, from the front end of the office, that I was buying tickets to this amazing event-to-be. Also probably—almost certainly—on the night of the event we stopped for drinks along the drive from downtown Chicago to the far North Side. Also also probably—no, definitely certainly, because why wouldn’t we?; we were immortal—we timed our arrival at the Granada Theater to coincide with the opening of the outside lobby doors for general admission.
The ticket-holder line, a haphazard assemblage measuring four or six across, stretched from beneath the theater marquee to the el station a block away. The Granada, dating to the movie-theater-as-palace heyday of the 1920s, could hold 3,400. Apparently 3,396 had beaten us to the scene.
We started down the sidewalk, at least one us resigning himself to his eventual lot in the back row of the uppermost balcony, but then Jimmy did maybe the most incredible thing I’d ever seen. He stopped, said, “I think we’ve gone far enough,” and about-faced. Then he stood still, next to four or six oblivious cineastes. Just like that, he was near the front of the line.
The other three of us hesitated, our incomplete prefrontal cortexes pinwheeling between the disappointing, if morally irreproachable, position under the el platform and the satisfying, if morally risible, position adjacent to the theater marquee.
Of course we chose the adjacent-to-the-marquee position.
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