More than a century ago, Alexander Graham Bell recorded his voice on a waxed cardboard disc at a laboratory in Washington DC. This week, we got to hear this scratchy recording—and Bell’s voice—for the first time.
Much of the recording involves Bell counting. He counts all the way up to 50, carefully enunciating each numeral. And then he begins counting by 10s. Then by 100s. Next comes a list of thousands. Then ten thousands. Then hundred thousands. Then he starts listing random numbers, like 4,530,870. Then . . . . zzzzzzz. I’m sorry. I fell asleep a little. It’s really boring. He enumerates for nearly four minutes.
Carl Haber, one of the scientists who helped extract Bell’s voice from the tattered disc, notes: “In those days of Edison and Bell, they thought recording was going to be important for accounting purposes or keeping business records. They may not have originally considered recording music.” Maybe that’s not quite true; an earlier phonograph recording did capture the sounds of a cornet. But there’s no doubt that when a technology is brand spanking new, we often have trouble predicting its usefulness. Continue reading






