Recently, based on the well-established if-Netflix-made-it-then-it-must-be-awesome principle, I have been watching the show Lillehammer. (This principle is firmly based in the orange-is-the-new-black correlate, the house-of-cards theorem, and the Derek postulate).
Like all the Netflix shows, it’s pretty good. But unlike some, it’s only pretty good. It’s about a New York wise guy who ends up in Norway playing fish-out-of-water and wolf-among-sheep. I mean, the acting’s bad, the script is weak, and the characters are a little flat. But there is still an undeniable charm about the show related to its simmering rage about Norwegian culture.

This week, Ann told the story of the first hero. She’s a girl, a Sumerian goddress, and she 



