“The most distinct and beautiful statement of any truth must take at last the mathematical form.” —Henry David Thoreau
April is Mathematics Awareness Month. April is also National Poetry Month. Coincidence? Yep, almost definitely. But it’s also an opportunity: I’d like to propose that we—you and I, at least until the end of this blog post—merge the two and celebrate the first-ever Mathematical Poetry Month. No fooling.
Connecting math to poetry isn’t a new idea. Archimedes did it, committing the mother of all word problems—a Diophantine beast—to verse. The Sator Square, a mysterious Latin palindrome written in a square that can be read in multiple directions, is a pattern poem with mathematical underpinnings. (The oldest-known Sator Square was recovered from Pompeii. The one pictured here contains the same words, but was found in France.)
In a letter to his brother dated March 31, 1791, Samuel Taylor Coleridge called math the “quintessence of truth.” As a demonstration of his enthusiasm for said quintessence, he declared his intention to refashion Euclid’s Elements, which contained most of those propositions and proofs we met in school, as a series of Pindaric odes. The letter even included his first stab at versifying the first of Euclid’s propositions. As far as anyone knows, that’s as far as he got. (Read Coleridge’s letter here. Did he improve on Euclid?) One of the most famous pieces by the American poet Edna St. Vincent Millay, similarly besotted by the great Greek, is “Euclid alone has looked on beauty bare.”
Kepler strikes again! A couple of weeks ago, in a 



March 17 – 21