Sarah dipped her fingers in mineral paint and lifted them to her face. Standing on the bold, white surface of the Harding Icefield in south-central Alaska, she painted brown-red stride-marks across wind-dried skin. We were several days into a trek by skis, ropes, sleds and backpacks, and were as far out as we’d get. She then turned to Q and me, two others in our team of five, and fixed each of our faces in her gaze, then swiped pigment on us, hydrated iron oxide the color a deep, warm blush.
The pigment came from the Southwest, something I’d wheedled out of a fine, mineral-laden clay in the Bright Angel Shale formation, northern Arizona. No more than a thumb wrapped tightly in a plastic grocery bag, I’d been carrying the dry pigment in my pack for 15 years, and would pull it out whenever the notion struck me.
Ochre is a general term for hematite, iron oxide, the ceremonial stone connected to ritual behavior at Upper Paleolithic sites around the world. Continue reading






These are the dog days. Hot as a dog, lazy as a dog, wanting to curl up and take naps like a dog. Please, let us lie, sleeping like them, on these summer afternoons.
